造物的奇迹 已完结

片名:《造物的奇迹》

类型:科幻片

上映时间:1925

上映地区:其它

导演:Hanns,Walter,Kornblum

主演:Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl

集数: 更新至0集

语言:其它

【发现美影视】提供的科幻片造物的奇迹带给观众不一样的视听体验，首先是造物的奇迹的场景构图宏大震撼，其次造物的奇迹的音乐配乐生动鲜活；造物的奇迹拿到6.0的高分，足以证明造物的奇迹受观众喜爱的程度。

《造物的奇迹》观后点评：造物的奇迹的音乐配乐好听极了，造物的奇迹的演员Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl都很出彩，他们每个人在自己的位置上都充分表达了角色的性格和特征，是1925年不得多的好电影。

《造物的奇迹》抖音网友点评：造物的奇迹在其它地区上映并受到欢迎，造物的奇迹的剧情跌宕起伏令人印象深刻，尤其是造物的奇迹的演员Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl精彩的演绎，加上造物的奇迹优美的音乐配乐，让人更是念念不忘。

造物的奇迹的剧情讲述了：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.